Disciplinary Abstract Geometric Ornaments and Forms in the Works of Nakkash Osman

Abstract

In this article, 16.n this article, 16. an examination of the geometric–abstract decorations, figures, the use of color in spaces and architectural arrangements of the examples of works bearing the names of the Serhadlar Procession of the Prince belonging to Nakkas Osman, one of the leading representatives of the century Ottoman miniature art, Horse Square, Sigetvarname (Expedition Miniatures), Hünername - Architectural Structure and Palace Facades, Outfit-Insaniye fi Şema'ilü–Osmaniye - Sultan Portrait was focused on.

By considering the impressions of forms and objects that are not directly visible to the viewer and that convey deep meanings, they were tried to be expressed through iconographic analyses, and thus they also presented a method to the reader in understanding the symbolic values ​​of the formal and ornamental elements in the works considered.y considering the impressions of forms and objects that are not directly visible to the viewer and that convey deep meanings, they were tried to be expressed through iconographic analyses, and thus they also presented a method to the reader in understanding the symbolic values ​​of the formal and ornamental elements in the works considered. It also shows that the studied works are in a close relationship with the social, historical and cultural context of the period, and that the works do not have only a decorative function and aesthetic values. The research was conducted by qualitative research method and literature search was conducted in order to reach the data. In the analysis of the works used as samples, the Descriptive Painting Analysis method was used.The research was conducted by qualitative research method and literature search was conducted in order to reach the data. In the analysis of the works used as samples, the Descriptive Painting Analysis method wasThe research was conducted by qualitative research method and literat.