INTERSEMIOTIC ANALYSIS OF ANATOLIAN CULTURE IN PAINTINGS BY İHSAN ÇAKICI

Abstract

A work produced in an art discipline in the historical process can be revived in another work of art produced in the same discipline or in a different discipline. This form of reproduction/quotation between different disciplines such as literature-painting, painting-music, photography-literature, cinema-painting conceptualized as intersemioticity. Accordingly, in this study, it is aimed to analyze the quotations in the works by İhsan Çakıcı, one of the artists who reflect the Anatolian culture in his works by positioning his understanding of art mainly on the form of intersemiotic production. The findings of the study are considered important in terms of presenting different perspectives for new approaches and formations in all branches of art. This study is a qualitative research and the data were obtained by using document analysis and interview technique. According to the data obtained, it is possible to say the following: The artist reflected the three-dimensional historical artifacts in the Anatolian Civilizations Museum to his works with a contemporary interpretation by using the intersemioticity method; he pointed out the rich culture and history of the lands we live on, and emphasized the importance of our historical artifacts once again with the details of the ancient works he used.